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The three slender female figures become one in their embrace, united by their linked hands and by a scarf which links them. The unity of the Graces is one of the piece's main themes. In Countess Josephine's version, the Graces are on a sacrificial altar adorned with three wreaths of flowers and a garland symbolizing their fragile, close ties.
Three Women with Parasols (French: Trois femmes aux ombrelles), also known as The Three Graces, is an 1880 oil-on-canvas painting by French artist Marie Bracquemond. The painting depicts three women wearing the then fashionable style of ruffled dresses with high bodices. [1] The woman in the middle holds a fan in the popular style of Japonisme ...
The Three Graces (Rubens, Madrid), a 1630–1635 painting by Rubens; The Three Graces, a 1765 painting by Charles-André van Loo; The Three Graces, a painting by Michael Parkes; Three Women with Parasols, also known as The Three Graces, an 1880 painting by Marie Bracquemond; Primavera, a 15th-century painting by Sandro Botticelli
The Three Graces is a 1765 rococo oil painting by the French artist Charles-André van Loo.Depicting a scene from Greek Mythology, it portrays The Three Graces. [1] [2]Van Loo had produced an earlier version of The Three Graces which he exhibited at the Salon of 1763.
Antonio Canova’s statue The Three Graces is a Neoclassical sculpture, in marble, of the mythological three Charites, daughters of Zeus – identified on some engravings of the statue as, from left to right, Euphrosyne, Aglaea and Thalia – who were said to represent youth/beauty (Thalia), mirth (Euphrosyne), and elegance (Aglaea).
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The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.