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The Romantic Wedding Ring. Romantic wedding rings are soft, feminine, and filled with sentiment. Delicate floral motifs, intricate milgrain details, and heart-shaped settings create an aura of ...
St Lawrence Mill, a smock mill marked on the 1819-43 Ordnance Survey map that was burnt down on 15 May 1873. [4] The millers were Richard Fuller in 1845 and J Chantler in 1862. [ 6 ] This mill stood on or near the site of Canterbury's earliest recorded windmill, which stood at Little Foxmould in the Ridingate area.
Wrights was founded in Massachusetts in 1897 as William E. Wright & Sons. [1] Wright & Sons remained independent until 1985, when a group of shareholders—including a grandson of the founder—enabled the Newell Company to acquire a minority share in the company; by the end of the year Newell had achieved majority control and, by 1987, total ...
A millwright is a craftsman or skilled tradesman who installs, dismantles, maintains, repairs, reassembles, and moves machinery in factories, power plants, and construction sites.
Wrights Complex Lower Dam in West Warren. This dam is 10.5 mi (16.9 km) downstream from the Quaboag River head at Quaboag Pond. It is the second dam of a two dam complex. Destroyed by a flood in the mid 1950s, the upper dam was never rebuilt. Because of its height, this dam is unrunnable by local kayakers and requires mandatory portage around it.
The band recorded two albums, Hatfield and the North (1974) and The Rotters' Club (1975). [1] Backing vocals on the two albums were sung by The Northettes: Amanda Parsons, Barbara Gaskin (who was born in Hatfield , the town in Hertfordshire referred to in the group's name), and Ann Rosenthal.
The Canterbury scene (or Canterbury Sound) is a term used to loosely describe the group of progressive rock, avant-garde and jazz musicians, many of whom were based around the city of Canterbury, Kent, England during the late 1960s and early 1970s, but who have continued to make music since. Over the years, with band membership changes and new ...
In subsequent years, the group have been credited for their introduction of Canterbury scene through a number of offshoot bands. In a review of a remastered collection of their tracks, Uncut writer Tom Pinnock credited the Wilde Flowers for "spawn[ing] a whole batch of England's finest songwriters and musicians", as well as "an entire genre". [8]