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Kabuki (歌舞伎, かぶき) is a classical form of Japanese theatre, mixing dramatic performance with traditional dance. Kabuki theatre is known for its heavily stylised performances, its glamorous, highly decorated costumes, and for the elaborate kumadori make-up worn by some of its performers.
The term kabukimono is often translated into English as "strange things" or "the crazy ones", believed to be derived from kabuku, meaning "to slant" or "to deviate"; the term is also the origin of the name for kabuki theatre (歌舞伎) as the founder of kabuki, Izumo no Okuni, took heavy inspiration from the kabukimono (歌舞伎者). [2]
Traditional Japanese theatre is among the oldest theatre traditions in the world. Traditional theatre includes Noh , a spiritual drama, and its comic accompaniment kyōgen ; kabuki , a dance and music theatrical tradition; bunraku , puppetry; and yose , a spoken drama.
Kabuki is a term used by American political pundits as a synonym for political posturing. [1] It acquired this derogatory meaning after drawn out peace-time treaty negotiations between the United States and Japan which had extended to 1960, and because Japan, in an effort "to shed its image as a global marauder" sent kabuki theater tours to the ...
In the kabuki theatre, the term is used to refer to melodramatic calls from an audience, or as part of call-and-response singing in Japanese folk music. It is a custom for people in the audience to insert kakegoe every so often, in praise of the actors on stage.
Aragoto (荒事), or 'rough style', [1] is a style of kabuki acting that uses exaggerated, dynamic kata (forms or movements) and speech. Aragoto roles are characterised by the bold red or blue makeup ( kumadori ) worn by actors, as well as their enlarged and padded costumes. [ 2 ]
Yoshitsune Senbon Zakura (義経千本桜), or Yoshitsune and the Thousand Cherry Trees, is a Japanese play, one of the three most popular and famous in the kabuki repertoire. [a] Originally written in 1747 for the jōruri puppet theater by Takeda Izumo II, Miyoshi Shōraku and Namiki Senryū I, it was adapted to kabuki the following year.
Renjishi was staged at the Kabuki-za in Tokyo in July 2017, with Ichikawa Ebizō XI as the parent lion and Bandō Minosuke II as the cub. [4] In September 2019, the Kabuki actor Ichikawa Udanji III and his son Ukon performed part of the Renjishi at the 2019 Rugby World Cup opening ceremony as the shishi of Renjishi were used as mascots for the ...