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Badak is Indonesian for rhinoceros; named so by the company because they said its hard skin and strong horns meant that Badak would stand strong against other international rivals. However at the same time, rivals like Coca-Cola and Fanta were beginning mass distribution across the country, burdening the company and especially Surbeck, who was ...
A medium-sized gong, called kempur, is generally used to punctuate a piece's major sections. Most older compositions do not employ the gong kebyar 's more ostentatious virtuosity and showmanship. Recently, many Balinese composers have created kebyar -style works for gamelan angklung or have rearranged kebyar melodies to fit the angklung ' s ...
Badak LNG, or formerly known as PT Badak Natural Gas Liquefaction or PT Badak NGL, is the largest liquefied natural gas (LNG) company in Indonesia and one of the largest LNG plants in the world. [1] The company is located in Bontang , East Kalimantan , and has 8 process train (A - H) capable of producing 22.5 Million Metric Tonnes Per Annum ...
A gong chime is a generic term for a set of small, high-pitched bossed pot gongs. The gongs are ordinarily placed in order of pitch, with the boss upward on cords held in a low wooden frame. The frames can be rectangular or circular (the latter are sometimes called "gong circles"), and may have one or two rows of gongs.
The Badak featured a new design with all-welded monocoque steel hull with STANAG 4569 Level 3 protection, a new 340 hp power pack located at the front left and the driver now seated on the right side (beside the engine), leaving the remainder of the hull clear for the installation of the turret.
A pair of hanging gongs, which are gong kecil and gong besar; Gendang (a barrel drum) Malay gamelan had more than seven musical instruments during its heyday at Istana Kolam, such as the gedemung (slentho in Javanese tradition) and gender, but only seven instruments remained and were kept after the Second World War. [20]
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Kulintang music likely evolved from this simple signaling tradition, transitioning into a period consisting of one player, one-gong type ensembles (like those found among the Ifugao of Luzon or Tiruray of Mindanao), developing into a multi-gong, multiplayer ensemble with the incorporation of concepts originating from Sunda (Indonesian) and ...