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Ramprasadi (Bengali: রামপ্রসাদী) are the songs composed by eighteenth century Bengali saint-poet Ramprasad Sen. They are usually addressed to Hindu goddess Kali and written in Bengali language. [1] [2] [3] [4]
Shyama Sangeet (Bengali: শ্যামা সঙ্গীত) is a genre of Bengali devotional songs dedicated to the Hindu goddess Shyama or Kali which is a form of supreme universal mother-goddess Durga or parvati. It is also known as Shaktagiti or Durgastuti. [1]
[28] [29] He is credited with popularizing the bhakti Shakta tradition [30] [31] and Shyama Sangeet—devotional songs to the goddess Kali. [ 32 ] [ 33 ] Ramprasad was the first Shakta poet to address Kali with such intimate devotion, and to sing of her as a tender loving mother or even as a little girl.
Song Film Music Composer Singer(s) Lang; Ābhēri (Carnatic) Bhimpalasi (Hindustani) Maname Ganamum [TH - A Raga's Journey 1] Savitri Papanasam Sivan: M. S. Subbulakshmi: Ābhēri / Bhimpalasi "Bina Madhur Madhur Kachhu Bol" Ram Rajya (1943 film) Shankar Rao Vyas Saraswati Rane: Hindi: Ābhēri / Bhimpalasi "Duniya Se Ji Ghabra Gaya" Laila ...
Kali (/ ˈ k ɑː l iː /; Sanskrit: काली, IAST: Kālī), also called Kalika, is a major goddess in Hinduism, primarily associated with time, death and destruction. Kali is also connected with transcendental knowledge and is the first of the ten Mahavidyas, a group of goddesses who provide liberating knowledge.
Pannalal Bhattacharya (c. 1930 – 27 March 1966) was an Indian singer of Bengali music.Most of the songs he sang were written by Ramprasad Sen and Kamalakanta Bhattacharya, both of whom were Shakta poets of Bengal. [1]
In the dance, the women stand round a decorated stool on which some symbolic representation of Bhagavathy is placed. They then sing devotional songs to the rhythm of the beating of bronze plates. These songs were sung mainly for the blessings of Goddess Kali and Durga. Gradually the songs ascend in pitch and the women dance in ecstasy.
The original Margam Kali describes the arrival of St. Thomas in Malabar, the miracles he performed, the friendship as well as the hostility of the people among whom he worked, the persecution he suffered, the churches and crosses he put up in various places, etc. These details are incorporated in the various stanzas of the Margam Kali songs.