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Gloria in excelsis Deo is an example of the psalmi idiotici ("private psalms", i.e., compositions by individuals in imitation of the biblical Psalter) that were popular in the 2nd and 3rd centuries. Other surviving examples of this lyric poetry are the Te Deum and the Phos Hilaron . [ 4 ]
Antonio Vivaldi wrote at least three Gloria compositions, settings of the hymn Gloria in excelsis Deo, with words probably dating back to the 4th century, and an integral part of the mass ordinary. Two of them have survived: RV 588 and RV 589. A third, RV 590, is mentioned only in the Kreuzherren catalogue and presumed lost.
"Angels We Have Heard on High" is generally sung to the hymn tune "Gloria", a traditional French carol as arranged by Edward Shippen Barnes.Its most memorable feature is its chorus, "Gloria in excelsis Deo", where the "o" of "Gloria" is fluidly sustained through 16 notes of a rising and falling melismatic melodic sequence.
Deum de Deo, lumen de lumine Gestant puellæ viscera Deum verum, genitum non factum. Venite adoremus (3×) Dominum. Cantet nunc io, chorus angelorum; Cantet nunc aula cælestium, Gloria, gloria in excelsis Deo, Venite adoremus (3×) Dominum. Ergo qui natus die hodierna. Jesu, tibi sit gloria, Patris æterni Verbum caro factum. Venite adoremus ...
Gloria in excelsis Deo; Glory to God in the Highest; God of Mercy and Compassion; Guardian Angel, from heaven so bright; H. Heart of Jesus;
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Incipit of Gloria. The text of the Hymnus Gloria begins with the angels' song from Luke's Christmas story. Bach used this section, the central duet and the concluding doxology as a Christmas cantata, Gloria in excelsis Deo, BWV 191 (Glory to God in the Highest
The text of the piece is the Gloria, the second part of the Latin Order of Mass. Rutter structured it in three movements, following the fast-slow-fast scheme typical of concertos: Allegro vivace – "Gloria in excelsis Deo" [6] Andante – "Domine Deus" [7] Vivace e ritmico – "Quoniam tu solus sanctus" [8]