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Gloria in excelsis Deo is an example of the psalmi idiotici ("private psalms", i.e., compositions by individuals in imitation of the biblical Psalter) that were popular in the 2nd and 3rd centuries. Other surviving examples of this lyric poetry are the Te Deum and the Phos Hilaron . [ 4 ]
Antonio Vivaldi wrote at least three Gloria compositions, settings of the hymn Gloria in excelsis Deo, with words probably dating back to the 4th century, and an integral part of the mass ordinary. Two of them have survived: RV 588 and RV 589. A third, RV 590, is mentioned only in the Kreuzherren catalogue and presumed lost.
"Angels We Have Heard on High" is generally sung to the hymn tune "Gloria", a traditional French carol as arranged by Edward Shippen Barnes.Its most memorable feature is its chorus, "Gloria in excelsis Deo", where the "o" of "Gloria" is fluidly sustained through 16 notes of a rising and falling melismatic melodic sequence.
William Mathias was born in Whitland, Carmarthenshire.A child prodigy, he started playing the piano at the age of three and began composing at the age of five. At Aberystwyth University Mathias was a member of the Elizabethan Madrigal Singers and wrote 'Gloria in Excelsis Deo' for them in 1954.
The text of the piece is the Gloria, the second part of the Latin Order of Mass. Rutter structured it in three movements, following the fast-slow-fast scheme typical of concertos: Allegro vivace – "Gloria in excelsis Deo" [6] Andante – "Domine Deus" [7] Vivace e ritmico – "Quoniam tu solus sanctus" [8]
The Gloria by Francis Poulenc, FP 177, scored for soprano solo, large orchestra, and chorus, is a setting of the Gloria text from the mass ordinary.One of Poulenc's most celebrated works, it was commissioned by the Koussevitsky Foundation in honor of Sergei Koussevitzky and his wife Natalia, the namesakes of the foundation.