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The song was recorded as a demo during the same session that produced other "White Album" songs "Mother Nature's Son" and "Wild Honey Pie". McCartney recorded one take of the song while waiting for session musicians to arrive. After the take was recorded, the tape was taken away by George Martin's assistant, Chris Thomas.
Jesuit Music Ministry (JMM) Musical artist Rev Fr. Eduardo Jose Pardo Hontiveros , SJ PMM(Ph) (20 December 1923 – 15 January 2008), also known as "Fr. Honti" , was a Filipino Jesuit composer and musician, best known as an innovative hymnwriter and the “Father of Philippine liturgical music ".
Day by Day Christian Ministries actively promotes the integration of Filipino arts in worship. Through its ministry, the KALOOB Philippine Dance and Music Ministry, the church seeks to reclaim Philippine culture, dance, [3] and music for use in Christian worship [5] and liturgy. Kaloob (literally meaning 'Gift') specializes in researching ...
Radical Love is the first live album of the Filipino worship band Victory Worship. In February 2015, the album was certified gold by the Philippine Association of the Record Industry for sales of more than 7,500 units. [1] In June 2015, the song Radical Love was nominated at the 28th Awit Awards for Best Inspirational/Religious Recording. [2]
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"Ikaw Na" (2014), music and lyrics by Dindo Purto, SSP "MaGMAhalan Tayo Ngayong Pasko" (2015), written by Brian James Camaya and Clare Yee and music by Simon Peter Tan and sung by Alden Richards "Thank You For The Love" (2015), written by Robert Labayen and music by Thyro Alfaro and Yumi Lacsamana "Nakakamiss ang Pasko" (2015), written by Cl.
The Bukas Palad Music Ministry (Filipino for "generous"; literally, "open palm") is a Roman Catholic, contemporary worship musical group in the Philippines that composes, records, and performs original religious music.
The song was released in the third quarter of 2002, and proved risky for Warner Music to breakthrough an artist such as Nina who is extremely influenced with R&B. The song was considered to be one of the first R&B- hip-hop inspired tracks in the Philippine music scene , which was rare for Filipino acts at that time.