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Shiwan figures functioned as the Chinese equivalent of English Staffordshire figurines. The human figures sometimes contrast flesh areas left in unglazed biscuit with glazed clothes and hair. Gestures and facial expressions are often dramatic. [ 7 ]
Early blue and white porcelain, c. 1351. The Mongol Yuan dynasty enforced the movement of artists of all sorts around the Mongol Empire, which in ceramics brought a major stylistic and technical influence from the Islamic world in the form of blue and white porcelain, with underglaze painting in cobalt.
Tang dynasty tomb figure, sancai horse, 7–8th century, also using blue, as on the saddle. Sancai (Chinese: 三 彩; pinyin: sāncǎi; lit. 'three colours') [1] is a versatile type of decoration on Chinese pottery and other painted pieces using glazes or slip, predominantly in the three colours of brown (or amber), green, and a creamy off-white.
Two sancai-glazed horses and groom, c. 728, from the tomb of the general Liu Tingxun Painted cross-dressing woman playing polo. Tang dynasty tomb figures are pottery figures of people and animals made in the Tang dynasty of China (618–906) as grave goods to be placed in tombs.
The blue colour is more violet or royal blue in tone, which is different in shade from the blue used in Ming dynasty porcelain. The ability to achieve colour gradation famille verte is limited. The coloured enamels are often painted over the pure white body of the porcelain which comes over through the glaze.
The name comes from china being used to refer to the material porcelain. [1] Colloquially the term china doll is sometimes used to refer to any porcelain or bisque doll, but more specifically it describes only glazed dolls. [2] A typical china doll has a glazed porcelain head with painted molded hair and a body made of cloth or leather. They ...