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In sewing and dressmaking, a ruffle, frill, or furbelow is a strip of fabric, lace or ribbon tightly gathered or pleated on one edge and applied to a garment, bedding, or other textile as a form of trimming. [1] Ruffles can be made from a single layer of fabric (which may need a hem) or a doubled layer. Plain ruffles are usually cut on the ...
The "front" of a piece of fabric having a distinct front and back; same as right side. facing A facing is fabric used to finish the raw edges of a garment such as at neckline and armhole. Shaped facings are cut to match the edge they will face, and bias facings are strips of fabric cut on the bias or cross-grain and shaped to fit edge.
The ruff, which was worn by men, women and children, evolved from the small fabric ruffle at the neck of the shirt or chemise. Ruffs served as changeable pieces of cloth that could themselves be laundered separately while keeping the wearer's doublet or gown from becoming soiled at the neckline. The stiffness of the garment forced upright ...
Slip stitch – form of blind stitch for fastening two pieces of fabric together from the right side without the thread showing; Stoating – used to join two pieces of woven material, such that the resulting stitches are not visible from the right side of the cloth; Straight stitch – the basic stitch in hand-sewing and embroidery
Gathering seams once involved tedious hand sewing of basting, which was time-consuming, especially with heavy fabric. However, finer gathers could be achieved. Now, a quick and easy way to make a gather is to use a wide zigzag stitch with a sewing machine. Both the upper and lower thread are pulled long and placed in front of the sewing machine.
A Hong Kong seam or Hong Kong finish is a home sewing term [8] for a type of bound seam in which each raw edge of the seam allowance is separately encased in a fabric binding. [9] In couture sewing or tailoring, the binding is usually a bias-cut strip of lightweight lining fabric; in home sewing, commercial bias tape is often used.
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Sashiko stitching on a reversible fireman's coat with a design of ginkgo leaves (outer layer, shown top) and interlocking circles (inner layer, shown bottom), decorated with kanji characters applied using the tsutsugaki technique (plain-weave cotton, late Edo–early Meiji period, Los Angeles County Museum of Art)