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Abdullah Totong "A. T." Mahmud (3 October 1930 – 6 July 2010) was a renowned Indonesian composer of children's songs.Born in Palembang, South Sumatra, he taught as a teacher in Riau and Jakarta prior to beginning work as a composer.
Taufiq Ismail (born 25 June 1935) is an Indonesian poet, activist and the editor of the monthly literary magazine Horison. [1] Ismail figured prominently in Indonesian literature of the post-Sukarno period and is considered one of the pioneers of the "Generation of '66". [2]
Ibu Pertiwi is a popular Indonesian patriotic song composed by Kamsidi Samsuddin in 1908. [1] The song's lyrics are about Ibu Pertiwi, the national personification of Indonesia (also interpreted as "mother country"). It is normally sung by Indonesian children, elementary and secondary school students, or played during Indonesian Independence ...
Ibu Pertiwi is a popular theme in Indonesian patriotic songs and poems and was mentioned in several of them, such as the song "Ibu Pertiwi" and "Indonesia Pusaka".In the national anthem "Indonesia Raya", the lyrics "Jadi pandu ibuku" ("[is] the scout/guide to my mother") is a reference to Ibu Pertiwi as the metaphorical mother of the Indonesian people. [2]
Buah Rindu contains twenty-three titled poems and two untitled pieces: a short quatrain at the beginning of the book and a three-line dedication at the end. [9] The closing dedication reads "to the lord, Greater Indonesia / to the ashes of the Mother-Queen / and to the feet of the Sendari-Goddess", [a] [10] Achdiat Karta Mihardja, a classmate of Amir's, writes that Amir's Javanese sweetheart ...
Amir’s arranged marriage is thought to have heavily influenced Nyanyi Sunyi.. Amir Hamzah (1911–1946) was a Dutch-educated Malay writer of noble descent and devout Muslim.
Sitor Situmorang (2 October 1924 – 21 December 2014) was an Indonesian poet, essayist and writer of short stories. Situmorang was born in Harianboho, North Sumatra, and educated in Jakarta.
Anwar first read "Aku" at the Jakarta Cultural Centre in July 1943. [1] It was then printed in Pemandangan under the title "Semangat" ("Spirit"); according to Indonesian literary documentarian HB Jassin, this was to avoid censorship and to better promote the nascent independence movement. [2] "