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Tempo and Rhythm in Bach's Organ Music (1960). The Interpretation of Early Music (1963). Wagner's Ring and its Symbols (1963). String playing in baroque music, with recorded illustrations by Yehudi Menuhin, George Malcolm, (1977). A performer's guide to baroque music (1973). The Rise of Opera (1981). Baroque Music: Style and Performance, a ...
Baroque music (UK: / b ə ˈ r ɒ k / or US: / b ə ˈ r oʊ k /) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. [1] The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition (the galant style). The Baroque period is divided ...
Stipčević, Ennio (2009). "Review: The Performance of Italian Basso Continuo. Style in Keyboard Accompaniment in the Seventeenth and Eighteenth Centuries by Giulia NUTI". International Review of the Aesthetics and Sociology of Music. 40 (2). Croatian Musicological Society: 360– 361. JSTOR 20696547. Sturm, George (2000). "Music Publishing ...
Performance on period instruments is a key aspect of HIP, such as this baroque orchestra (Photo: Josetxu Obregón and the Spanish ensemble La Ritirata, 2013).. Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of classical music which aims to be faithful to the approach, manner and style of the musical ...
The style is related to improvisation but is characterised by the use of short contrasting episodes and a free form, just like a classical fantasia. Johann Mattheson , who was a German composer and theorist in the 17th century, presented his idea about the definition that Athanasius Kircher in his book, "Das beschutzte Orchestre" (1717), cited ...
The book was reviewed in the Performance Practice Review of 2007. [12] In July 2009, NEMA held a conference Singing music from 1500 to 1900: style, technique, knowledge, assertion, experiment in conjunction with the University of York. [13]
Notes inégales – ratio 2:1 (triplet feel) In music, notes inégales is a performance practice, mainly from the Baroque and Classical music eras, in which some notes with equal written time values are performed
American Music Teacher. 16 (2): 38–39. JSTOR 43537083. Dolmetsch, Arnold (1915). The Interpretation of the Music of the XVIIth and XVIIIth Centuries Revealed by Contemporary Evidence. London: Novello; Donington, Robert (1982). Baroque Music: Style and Performance. A Handbook. New York: Norton. ISBN 0393300528. Emery, Walter (1961).