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"Levitating" is a song by English and Albanian singer Dua Lipa from her second studio album, Future Nostalgia (2020). The song was written by Lipa, Clarence Coffee Jr., Sarah Hudson, and Koz, who produced the song with Stuart Price, and stemmed from a Roland VP-330 synthesizer sample played by Koz.
DaBaby is featured on a remix of "Levitating". Elton John included Lipa on "Cold Heart (Pnau remix)", a mashup of some of his songs. Tove Lo co-wrote "Cool". Madonna is featured on a remix of "Levitating". Megan Thee Stallion collaborated with Lipa on "Sweetest Pie" Julia Michaels co-wrote "Fever" and "Pretty Please".
The visualizer for each track was designed by a different artist, which mirrors the album's structure where each track is remixed by a different producer. Live action visuals are included, which were directed by Hooper. They include the music video for the remix of "Levitating", as well as clips of Lipa with her boyfriend Anwar Hadid. [42]
"Levitate" was written by band members Dan Reynolds, Wayne Sermon, Ben McKee, Daniel Platzman as well as Tim Randolph who also produced the track. The song is a synth-pop song with the lyrics referencing the themes of loneliness, inevitability, and romance of Passengers.
Class 9, for example, refers to a list of goods associated with "musical sound recordings, series of musical sound recordings, audio recordings featuring music and musical entertainment ...
A blue backcloth is used in the background, and the television version uses fake clouds hanging from the ceiling, taking advantage of a larger stage than is used in theatrical appearances. The performance is accompanied by an orchestration called "East of Eden Suite" by film composer Lee Holdridge , originally written as the theme music for a ...
When Mark Wahlberg and his siblings get together, it's all about family time.. Wahlberg, 53, recently touched on how he and his eight siblings — including Debbie, who died in 2003, Michelle ...
Background music (British English: piped music) is a mode of musical performance in which the music is not intended to be a primary focus of potential listeners, but its content, character, and volume level are deliberately chosen to affect behavioral and emotional responses in humans such as concentration, relaxation, distraction, and excitement.