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"Somebody's Knocking at Your Door", sometimes given as "Somebody's Knocking" and "Somebody's Knockin ' at Yo' Door", is a spiritual. The song's music and text has no known author, [ 1 ] but originated among enslaved African-Americans on Plantation complexes in the Southern United States sometime in the early 19th century.
1948 Hymns No. 1950 Hymns No. Angels from the Realms of Glory: 5 As swiftly my days go out on the wing 5 Cease, ye fond parents, cease to weep 9 In hymns of praise 9 Come, O thou King of kings 19 Come along, come along 19 Come, labor on 20 Come, O thou King of kings 20 From all that dwell below the skies 38 Each cooing dove 38 Father of light 39
Schlegel wrote "Jesus Christus, Menschensohn" as a three-fold call to the Jesus, like the liturgical Kyrie, addressed as the Son of man. [3] The first stanza requests enlightenment to see God face to face. The second stanza recalls that Jesus carried on the Cross what we suffer. The third stanza requests that Jesus, called ("gerufen") from ...
Each hymn in the Psalmody was cross-referenced by page number to the "Manchester Hymnal" and only used a few verses of the full hymn text. In many respects, the Latter-day Saints' Psalmody represented a high-water mark in LDS hymnody. By today's standards many of the hymns are quite challenging, even for choirs, let alone congregational singing.
The Hymn of Jesus, H. 140, Op. 37, is a sacred work by Gustav Holst scored for two choruses, semi-chorus, and full orchestra. It was written in 1917–1919 and first performed in 1920. One of his most popular and highly acclaimed compositions, it is divided into two sections.
Alleluia! Sing to Jesus; Alma Redemptoris Mater; Angels We Have Heard on High; Anima Christi (Soul of my Saviour) Asperges me; As a Deer; As I Kneel Before You (also known as Maria Parkinson's Ave Maria) At That First Eucharist; At the Lamb's High Feast We Sing; At the Name of Jesus; Attende Domine; Aurora lucis rutilat; Ave Maria; Ave maris ...
[3] [4] The hymn was subsequently published in the hymnal A Collection of Hymns for the Use of the People called Methodists, [5] and in 1754, it appeared in Harmonia Sacra, a hymnal compiled by Thomas Butts. [6] [7] The hymn was later edited by Martin Madan for inclusion in his Psalms and Hymns hymnal (1769) by removing the seventh, eighth and ...
Jesus Paid It All (also known as Fullness in Christ and I hear the Saviour say and Christ All and in All) is a traditional American hymn about the penal substitutionary atonement for sin by the death of Jesus. The song references many Bible verses, including Romans 5 ("Jesus' sacrifice gives life") and Isaiah 1:18 ("a crimson flow"). [1]