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The Painting is attributed to Turner. It is highly likely to be a Turner work, and part of the Turner Bequest also. [3] Interior of a Romanesque Church: c.1795–1800 Tate Britain, London: 61 x 50.2 Fishermen at Sea: 1796 Tate Britain, London: 91.4 × 122.2 Diana and Callisto (after Wilson) 1796 Tate Britain, London: 56.5 x 91.4 Interior of a ...
Joseph Mallord William Turner RA (23 April 1775 – 19 December 1851), known in his time as William Turner, [a] was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colouring, imaginative landscapes and turbulent, often violent marine paintings.
The Dort, or Dort or Dordrecht: The Dort packet-boat from Rotterdam becalmed is an 1818 painting by J. M. W. Turner, based on drawings made by him in mid September 1817. [1] It shows a view of the harbour of Dordrecht. It is the finest example of the influence of Dutch marine painting on Turner's work. [2]
Turner witnessed the ships being brought in to harbour after the battle. [2] However, by the time he exhibited the work at the Royal Academy 's Spring Exhibition at Somerset House in 1809 he had renamed the canvas Spithead: Boat's Crew Recovering an Anchor due to the political backlash against the Copenhagen attack. [ 3 ]
JMW Turner died in 1851 at the age of 76. "His influence continues to resonate, whether through the Turner Prize, his place on the £20 note or the countless artists inspired by his work," a Tate ...
Ships Bearing up for Anchorage is an 1802 marine painting by the British artist J.M.W. Turner. [1] Along with the previous year's Dutch Boats in a Gale it marked Turner's move into using a style reminiscent of Nicolas Poussin for his seascapes. [2] It was bought by the art collector the Earl of Egremont and it also known as The Egremont ...
Liber Studiorum (Latin: Book of Studies [2]) is a collection of prints by J. M. W. Turner. The collected works included seventy-one prints that he worked on and printed from 1807 to 1819. [3] For the production of the prints, Turner created the etchings for the prints, which were worked in mezzotint by his collaborating engravers. [4]
The painting measures 146 × 237.5 centimetres (57.5 × 93.5 in). It contains the first appearance in Turner's work of a swirling oval vortex of wind, rain and cloud, a dynamic composition of contrasting light and dark that will recur in later works, such as his 1842 painting Snow Storm: Steam-Boat off a Harbour's Mouth.