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Marius Constant (7 February 1925 – 15 May 2004) was a Romanian-born French composer and conductor. Although known in the classical world primarily for his ballet scores, his most widely known music was the iconic guitar theme for The Twilight Zone American television series.
Scott wrote the theme music for the 1964 dramatic series, Slattery's People, which aired during the 1964-1965 television season. [1] [2] He also worked on the Twilight Zone for two episodes, scoring the music for A Stop at Willoughby in 1960. [1] In 1963, Scott began working on the classic television series, Lassie. [1]
Unlike some episodes of the show that were accompanied by pre-composed stock music cues, Walking Distance was underscored with music specially written for it. As for other Twilight Zone episodes, Bernard Herrmann—also composer of the first season's main title music and some of its stock music—wrote the music for this one. The intimate score ...
Trivia from The Twilight Zone. Albany, GA: Bear Manor Media. ISBN 978-1-59393-136-0. Grams, Martin (2008). The Twilight Zone: Unlocking the Door to a Television Classic. Churchville, MD: OTR Publishing. ISBN 978-0-9703310-9-0. Come Wander with Me song Lyrics "Come Wander with Me" at IMDb
The Twilight Zone – Bernard Herrmann (Season 1); Marius Constant (Seasons 2–5) Twin Peaks ("Falling") – Angelo Badalamenti; Two and a Half Men ("Manly Men") – Lee Aronsohn, Grant Geissman, and Chuck Lorre; performed by Charlie Sheen, Jon Cryer, Angus T. Jones and Ashton Kutcher; The Two Ronnies – Ronnie Hazlehurst
The episodes mirror The Twilight Zone's intro, theme song, and storytelling style, complete with an announcer impersonating Rod Serling's voice and narration. [66] [67] Many bands and artists have released songs dedicated to the show, with some titled "The Twilight Zone"/"Twilight Zone", as listed above.
Premiering on Oct. 11, 1963, "Nightmare" is the first episode many think of when The Twilight Zone theme starts playing. And to this day, Shatner still finds himself gremlin-spotting when he gets ...
The music makes Fitzgerald speak in a petulant, frightened voice. At the guests' prompting, he admits that, deep down, he is a selfish and spoiled child who is terrified of everything and everyone. Lashing out at everyone and hurting them because it's the only means of expressing himself he knows and fearing they will hurt him first if he doesn't.