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Dialectic of Enlightenment (German: Dialektik der Aufklärung) is a work of philosophy and social criticism written by Frankfurt School philosophers Max Horkheimer and Theodor W. Adorno. [1] The text, published in 1947, is a revised version of what the authors originally had circulated among friends and colleagues in 1944 under the title of ...
First published in a small mimeographed edition in May 1944 as Philosophical Fragments, the text waited another three years before achieving book form when it was published with its definitive title, Dialectic of Enlightenment, by the Amsterdam publisher Querido Verlag.
Philosophical Fragments p. 29-30, 32 (See Works of Love, Hong 1995 p. 367-368) Analogy: whoever believes that there is a God and also a providence has an easier time (in preserving the faith), an easier time in definitely gaining the faith (and not an illusion) in an imperfect world, where passion is kept vigilant, than in an absolutely perfect ...
Adorno sought to update the philosophical process known as the dialectic, freeing it from traits previously attributed to it that he believed to be fictive.For Georg Wilhelm Friedrich Hegel, the dialectic was a process of realization that things contain their own negation and through this realization the parts are sublated into something greater.
The term culture industry (German: Kulturindustrie) was coined by the critical theorists Theodor Adorno (1903–1969) and Max Horkheimer (1895–1973), and was presented as critical vocabulary in the chapter "The Culture Industry: Enlightenment as Mass Deception", [1] of the book Dialectic of Enlightenment (1947), wherein they proposed that popular culture is akin to a factory producing ...
[38] [39] Jürgen Habermas, an academic philosopher associated with the Frankfurt School, and a member of its second generation, is a critic of the theories of postmodernism, having presented cases against their style and structure in his work "The Philosophical Discourse of Modernity", in which he outlays the importance of communicative ...
Søren Kierkegaard, Concluding Unscientific Postscript to Philosophical Fragments, 1846; Karl Marx and Friedrich Engels, The Communist Manifesto, 1848; John Stuart Mill, On Liberty, 1859; John Stuart Mill, Utilitarianism, 1861–1863; Herbert Spencer, System of Synthetic Philosophy, 1862–1892; Karl Marx, Das Kapital, 1867–1894
with Max Horkheimer, Dialectic of Enlightenment, trans. by Edmund Jephcott (Stanford: Stanford University Press, 2002) 1947 with Hanns Eisler, Komposition für den Film: with Hanns Eisler, Composing for the Films (New York: Continuum, 2005) 1949 Philosophie der neuen Musik, GS 12