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Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
Traditional black gospel [1] is music that is written to express either personal or a communal belief regarding African American Christian life, as well as (in terms of the varying music styles) to give a Christian alternative to mainstream secular music. It is a form of Christian music and a subgenre of black gospel music.
Gospel music is what it is today thanks to the countless Black artists who hand-crafted the genre. Mahalia Jackson. Mahalia Jackson is one of the matriarchs of gospel music. Born in poverty in New ...
The Two Gospel Keys recorded "You've Got to Move", which was released on a 78-rpm record in 1948. [1] Emma Daniels (vocals and guitar) and Mother Sally Jones (vocals and tambourine) comprised the gospel music duo. [2]
Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music is characterized by dominant vocals and strong use of harmony with Christian lyrics. Gospel music can be traced to the early 17th century. [1]
The Cambridge Companion to Blues and Gospel Music identifies Jackson and Sam Cooke, whose music career started when he joined the Soul Stirrers, as the most important figures in black gospel music in the 1950s. [135] To the majority of new fans, however, "Mahalia was the vocal, physical, spiritual symbol of gospel music", according to Heilbut ...
The Jackson, Mississippi-based traditional black gospel group, The Williams Brothers started in 1960 by Leon "Pop" Williams (November 24, 1908/1909 – September 6, 1989), [1] [2] who was the father of the Williams Brothers and an early member of the group, died in a car accident.
The shout music tradition originated within the church music of the Black Church, parts of which derive from the ring shout tradition of enslaved people from West Africa.As these enslaved Africans, who were concentrated in the southeastern United States, incorporated West African shout traditions into their newfound Christianity, the Black Christian shout tradition emerged—albeit not in all ...