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Artemisia Lomi or Artemisia Gentileschi (US: / ˌ dʒ ɛ n t i ˈ l ɛ s k i /; [1] [2] Italian: [arteˈmiːzja dʒentiˈleski]; 8 July 1593 – c. 1656) was an Italian Baroque painter. Gentileschi is considered among the most accomplished 17th-century artists, initially working in the style of Caravaggio .
The 2001 exhibition catalogue on Artemisia Gentileschi and her father Orazio remarked that "the painting is generally recognized as Artemisia's finest work". [1] Others have concurred, and the art historian Letizia Treves concluded that, with this painting, "Artemisia rightly takes her place among the leading artists of the Italian Baroque." [4]
Artemisia Gentileschi was around twenty years of age when she painted Judith Slaying Holofernes. Previously, Gentileschi had also completed Susanna and the Elders and Madonna and Child. These artworks already give an indication of Gentileschi's skill in representing body movement and facial expressions to express emotions. X-rays undertaken on ...
Susanna and the Elders, 1610 by Artemisia Gentileschi. Susanna and the Elders is an Old Testament story of a woman falsely accused of adultery after she refuses two men who, after discovering one another in the act of spying on her while she bathes, conspire to blackmail her for sex. Depictions of the story date back to the late 3rd/early 4th ...
Her life is pieced together in the Getty's 'Artemisia Gentileschi' biography — part of a series on women artists of the Renaissance and Baroque eras. Commentary: Artemisia was a painting prodigy ...
The Birth of Saint John the Baptist, by Artemisia Gentileschi, was part of a six-painting portrayal of Saint John's life, with four of the paintings by Massimo Stanzione and one (now lost) by Paolo Finoglia, for the Hermitage of San Juan Bautista (Saint John the Baptist) on the grounds of Buen Rierto in Madrid, under orders from the Viceroy of Naples, the Conde de Monterrey. [1]
Susanna and the Elders is a 1610 painting by the Italian Baroque artist Artemisia Gentileschi and is her earliest-known signed and dated work. [1] It was one of Gentileschi's signature works.
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