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The Beat Generation was a literary subculture movement started by a group of authors whose work explored and influenced American culture and politics in the post-World War II era. [1] The bulk of their work was published and popularized by Silent Generationers in the 1950s , better known as Beatniks .
This line-up, plus guest singer Sinéad O'Connor, recorded their third studio album Mind Bomb, which debuted at No. 4 in the UK Albums Chart and featured the band's highest-charting single to that time, "The Beat(en) Generation", which peaked at No. 18 in the UK singles chart. [7]
The Beat Generation is a 1959 American crime film noir from Metro-Goldwyn-Mayer starring Steve Cochran and Mamie Van Doren, with Ray Danton, Fay Spain, Maggie Hayes, Jackie Coogan, Louis Armstrong, James Mitchum, Vampira, and Ray Anthony. [2]
The name came up in conversation with John Clellon Holmes, who published an early Beat Generation novel titled Go (1952), along with the manifesto This Is the Beat Generation in The New York Times Magazine. [1] In 1954, Nolan Miller published his third novel Why I Am So Beat (Putnam), detailing the weekend parties of four students.
The Beat Generation and Wavy Gravy From right, Wavy Gravy, entertainer and peace activist, stands with his friend, Susan Brustman, outside of Wynwood Kitchen and Bar on Feb. 21, 2013.
Mind Bomb is the third studio album by the English post-punk band The The. [9] [10] It was released by Some Bizzare/Epic on 15 May 1989 and recorded during late 1988 and early 1989.
The Beat Museum is located in San Francisco, California and is dedicated to preserving the memory and works of the Beat Generation.. The Beat Generation was a group of post-WWII artists who challenged the social norms of the 1950s, [1] [2] encouraged experimentation with drugs and sexuality, practiced various types of Eastern religion, and desired to grow as humans.
The origin of the term beat being applied to a generation was conceived by Jack Kerouac who told Holmes, "You know, this is really a beat generation." The term later became part of common parlance when Holmes published an article in The New York Times Magazine entitled "This Is the Beat Generation" on November 16, 1952 (pg.10).