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For positive and print stocks, "35" indicates 35 mm print film, and "36" indicates 16 mm print film. Fuji also introduced their Reala film, a color stock with a fourth color emulsion layer, which is also the fastest daylight balanced color motion picture stock ever offered at 500 ISO.
(A) Human-readable Keykode number (the number to the far right advances by one for each 16 frames of 35 mm film or 20 frames of 16 mm film). Next to that is the same information in USS-128 Barcode machine-readable language. (B) Further down the film (within the 16 frames) is the film identifier information and date symbol (C) Other-use symbols.
The variant called Super 16 mm, Super 16, or 16 mm Type W is an adaptation of the 1.66 (1.66:1 or 15:9) aspect ratio of the "Paramount format" [8] to 16 mm film. It was developed by Swedish cinematographer Rune Ericson in 1969, [ 9 ] using single-sprocket film and taking advantage of the extra room for an expanded picture area of 12.52 mm × 7. ...
The amount of silver in the film stock was reduced. [6] [7] Tri-X also exists as a reversal film for the 16 mm and Super-8 cine film formats. The speed for tungsten lighting (3200 K) is ISO 160 and for daylight ISO 200 when processed as reversal. It can also be processed as a negative at a small loss of speed while the grain will be slightly ...
A 35 mm film gauge illuminated with the flashlight of a smartphone.. Film gauge is a physical property of photographic or motion picture film stock which defines its width. . Traditionally, the major movie film gauges are 8 mm, 16 mm, 35 mm, and 65/70 mm (in this case 65 mm for the negative and 70 mm for the release print; the extra five millimeters are reserved for the magnetic soundtr
First known film is the first film (not including tests) made with the format and intended for release. Negative gauge is the film gauge (width) used for the original camera negative. Negative aspect ratio is the image ratio determined by the ratio of the gate dimensions multiplied by the anamorphic power of the camera lenses (1× in the case ...
Minolta, 16 mm stock, originally double perforated (single perforated or unperforated film could be loaded), later single perf to allow larger 13 × 17 mm image ^ Unless otherwise noted, all formats were introduced by Kodak , which began allocating the number series in 1913.
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