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The Santa Maria del Fiore cathedral in Florence possesses the largest brick dome in the world, [2] [3] and is considered a masterpiece of European architecture.. Filippo di ser Brunellesco di Lippo Lapi (1377 – 15 April 1446), commonly known as Filippo Brunelleschi (/ ˌ b r uː n ə ˈ l ɛ s k i / BROO-nə-LESK-ee; Italian: [fiˈlippo brunelˈleski]) and also nicknamed Pippo by Leon ...
Brunelleschi Crucifix, Gondi Chapel, Santa Maria Novella, Florence. The Brunelleschi Crucifix is a polychrome painted wooden sculpture by the Italian artist Filippo Brunelleschi, made from pearwood around 1410-1415, and displayed since 1572 in the Gondi Chapel at the church of Santa Maria Novella in Florence.
The person generally credited with bringing about the Renaissance view of architecture is Filippo Brunelleschi, (1377–1446). [16] The underlying feature of the work of Brunelleschi was "order". Ospedale degli Innocenti in Florence.
Filippo Brunelleschi was a leading figure of the early Florentine Renaissance. Initially active as a sculptor, he turned to architecture in the first decade of the 15th century, taking advantage of his travels to Rome to refine his observations on the architecture of ancient monuments, in order to establish practical rules for construction.
In adding the dome to the Florence Cathedral in the early 15th century, the architect Filippo Brunelleschi not only transformed the building and the city, but also the role and status of the architect. Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction.
In adding the dome to the Florence Cathedral in the early 15th century, the architect Filippo Brunelleschi not only transformed the building and the city, but also the role and status of the architect. [1] [2] Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. [3]
The most common argument for crediting Brunelleschi is the chapel's clear similarity to the Old Sacristy; others argue that his style had developed in the twenty-year interim and that the Pazzi Chapel would represent a retrograde step. [4] The first written mention of Brunelleschi as the architect was written by an anonymous author in the 1490s ...
Here he knew contemporary art innovators such as Filippo Brunelleschi, Donatello and Masaccio, with whom he shared an interest for Renaissance humanism and classical art. Alberti was the first post-classical writer to produce a work of art theory , as opposed to works about the function of religious art or art techniques, and reflected the ...