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Successful non-classical baritones display a wide range of vocal qualities and effects that lend a unique character to their voices, many of which are considered undesirable in the operatic or classical baritone singer, such as "breathy" , [3] "distinguished…crooner" , [4] "growling" (Neil Diamond), [5] and even "ragged" (Bruce Springsteen).
Operatic baritones are men who sing baritone roles in operas for opera companies in opera houses. Subcategories. This category has the following 19 subcategories, out ...
Pages in category "American operatic baritones" The following 149 pages are in this category, out of 149 total. This list may not reflect recent changes. A.
German operatic baritone 1840 1921-11-04 Pegau: Q19299124: Thorvald Lammers: Operatic and concert singer (1841–1922) Norway: 1841-01-15 1922-02-08 Modum Municipality: Aker: Q166613: Michael Maybrick: English composer and singer, best known under pseudonym Stephen Adams (1841 or 1844-1913) United Kingdom of Great Britain and Ireland: 1841-01 ...
This is a list of the singers, conductors, and dancers who have appeared in at least 100 performances at the Metropolitan Opera, last updated March 17, 2024.Performers are listed by the number of the performances they have appeared in as found at the Metropolitan Opera Archives. [1]
Charles William Clark (15 October 1865 – 4 August 1925) was an American baritone singer and vocalist teacher. He is generally regarded as the first American baritone singer to be famous in Europe, and as one of the greatest baritone singers of all time.
The first use of the term "baritone" emerged as baritonans, late in the 15th century, [5] usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the average male choral voice.
While he lived and worked at a time when deformative tendencies were impinging on the interpretative forms of 19th-century repertoire, Basiola nurtured the legacy of his schooling: he was a high baritone, with a voice clear and free of the defects of the modern dramatic baritone, with its dark, opaque timbre acquired with artificiality and ...