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The Chesterfield coat, with its heavy waist suppression using a waist seam, gradually replaced the over-frock coat during the second half of the 19th century as a choice for a formal overcoat, and survived as a coat of choice over the progression from frock coat everyday wear to the introduction of the lounge suit, but remained principally associated with formal morning dress and white tie.
The Paletot coat, a coat shaped with side-bodies, as a slightly less formal alternative to the frock overcoat. The Paddock coat, with even less shaping. The Chesterfield coat, a long overcoat with very little waist suppression; being the equivalent of the "sack suit" for clothes, it came to be the most important overcoat of the next half-century.
Prior to the inception of the Ulster coat in the first half of the nineteenth century, the greatcoat or surtout was the main component of a gentleman's wardrobe. Whilst fashionable at the time, these garments proved to be very cumbersome for travel due to the heavy lengths of overlapping cloth involved in creating the silhouette.
A top-frock coat may also be worn over a frock coat in milder weather. Shaped like the body coats popular in the Victorian and Edwardian periods , the over-frock coat was cut in essentially the same way as the frock coat that was worn under it, although it would be larger overall to accommodate the frock-coat worn underneath.
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Man wearing a coat, painting by Julian Fałat, 1900. A coat is typically an outer garment for the upper body, worn by any gender for warmth or fashion. [1] Coats typically have long sleeves and are open down the front, and closing by means of buttons, zippers, hook-and-loop fasteners (AKA velcro), toggles, a belt, or a combination of some of these.
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