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The relationship of these symbols to Mi'kmaq petroglyphs, which predated European encounter, is unclear. The Kejimkujik National Park and National Historic Site (KNPNHS), petroglyphs of "life-ways of the Mi'kmaw", include written hieroglyphics, human figures, Mi'kmaq houses and lodges, decorations including crosses, sailing vessels, and animals ...
The yew portion of the hook was traditionally carved with an image intended to express respect for the halibut and spiritual comfort to the fishermen engaged in a very dangerous job. Common images are of the octopus, the raven, the halibut itself and the shaman, a supernatural entity believed to have the power to control the weather. [2]
The Gros Ventre were reported living in two north–south tribal groups – the so-called Fall Indians (Canadian or northern group, Hahá-tonwan) of 260 tipis (2,500 population) traded with the North West Company on the Upper Saskatchewan River [clarification needed] and roamed between the Missouri and Bow River, and the so-called Staetan tribe ...
The primary non-Native source for academic information on Zuni fetishes is the Second Annual Report of the Bureau of Ethnology submitted in 1881 by Frank Hamilton Cushing and posthumously published as Zuni Fetishes in 1966, with several later reprints. Cushing reports that the Zuni divided the world into six regions or directions: north, west ...
Native American remains were on display in museums up until the 1960s. [129] Though many did not yet view Native American art as a part of the mainstream as of the year 1992, there has since then been a great increase in volume and quality of both Native art and artists, as well as exhibitions and venues, and individual curators.
Totem poles, a type of Northwest Coast art. Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
The University of Maine published a comprehensive Passamaquoddy Dictionary in 2008. Another resource for the language is the online Passamaquoddy-Maliseet Language Portal, which includes many videos, subtitled in English and Passamaquoddy, of native speakers conversing in the language. Most of the people speak English as their first language.
Nanabozho is a shapeshifter who is both zoomorphic as well as anthropomorphic, meaning that Nanabozho can take the shape of animals or humans in storytelling. [5] Thus Nanabush takes many different forms in storytelling, often changing depending on the tribe.