Search results
Results From The WOW.Com Content Network
A simple sealed tube (Carius tube). Thick-walled glass tube (left), filled with reaction mixture (center) and sealed tube (right). Georg Ludwig Carius (August 24, 1829 – April 24, 1875) was a German chemist born in Barbis, in the Kingdom of Hanover. He studied under Friedrich Wöhler and was assistant to Robert Bunsen for 6 years.
Die Musik in Geschichte und Gegenwart (MGG; "Music in the Past and Present") is a German music encyclopedia.It is among the world's most comprehensive encyclopedias of music history and musicology, on account of its scope, content, wealth of research areas, and reference to related subjects.
In music, call and response is a compositional technique, often a succession of two distinct phrases that works like a conversation in music. One musician offers a phrase, and a second player answers with a direct commentary or response. The phrases can be vocal, instrumental, or both. [1]
Hartmut Stöckl described the Organon model as a semiotic model, comparing it to Aristotle's triad of pathos, logos, and ethos. [5] He wrote: [Bühler’s] model acknowledges “the essential rhetorical fact that any sign use must in effect express the ethos of the rhetor, represent their rational take on the world (logos) and appeal to the emotional mindset of an envisaged audience (pathos).”
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
Robert T. Craig "Communication Theory as a Field" is a 1999 article by Robert T. Craig, attempting to unify the academic field of communication theory. [1] [2]Craig argues that communication theorists can become unified in dialogue by charting what he calls the "dialogical dialectical tension", or the similarities and differences in their understanding of "communication" and demonstrating how ...
In European art music, the common practice period was the period of about 250 years during which the tonal system was regarded as the only basis for composition. It began when composers' use of the tonal system had clearly superseded earlier systems, and ended when some composers began using significantly modified versions of the tonal system, and began developing other systems as well.
According to Gjerdingen, the usage of these schemata in a conventional, seamless sequence is "a hallmark of the galant style" and a consequence of the partimento pedagogical tradition of Neapolitan conservatories. [1] Galant schemata, broadly speaking, can be distinguished among opening, closing, cadential, pre-cadential, and post-cadential ...