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Music has long played an integral part in religious ceremonies. In Taoist ceremonies, music has several different functions. Taoists believe that music is a way to speak to the gods, to inspire religious followers and to achieve inner harmony, bringing the listener or participant closer to Tao.
Zhang Sanfeng's popularity among the Chinese is also attributed to his personality and association with Confucianism and Taoism. [ 10 ] The best known depiction of Zhang Sanfeng in fiction is probably in Jin Yong 's wuxia novel The Heaven Sword and Dragon Saber , which is primarily set in the final years of the Yuan dynasty .
Taiyi Shengshui (Chinese: 太一生水; pinyin: Tàiyī Shēngshuǐ; lit. 'The Great One Gave Birth to Water') is an ancient Chinese text from around 300 BC during the Warring States period. It was discovered as part of the Guodian Chu Slips. It is a Taoist creation myth.
Yayue (Chinese: 雅樂; lit. 'elegant music') was a form of classical music and dance performed at the royal court and temples in ancient China. The basic conventions of yayue were established in the Western Zhou.
Ren Farong (Chinese: 任法融; pinyin: Rén Fǎróng; June 1936 – 26 May 2021) was a Chinese Taoist priest, religious leader, calligrapher, philanthropist, and politician. [1] He was Venerable Master of the Chinese Taoist Association between 2005 and 2015. [2]
Chen Tuan 陳摶 (died August 25, 989 [1]) was a Chinese Taoist credited with creation of the kung fu system Liuhebafa ("Six Harmonies and Eight Methods"). Along with this internal art, he is also said to be associated with a method of qi (energy) cultivation known today as Taiji ruler and a 24-season Daoyin method (ershisi shi daoyin fa) using seated and standing exercises designed to prevent ...
Qiu Chuji (10 February 1148– 21 August 1227), courtesy name Tongmi (通密), also known by his Taoist name Master Changchun, [1] [2] was a renowned Taoist master from late Southern Song/Jin dynasty and a famous disciple of Wang Chongyang, the founder of Quanzhen School.
A variation on the ancient ‘bili’ of the Tang and Song dynasties, the Guan often accompanies ancient Buddhist and Taoist music, but is also found throughout Chinese cultural music. [23] Due to its distinct tambre, the Guan is usually placed in the mid-section of traditional wind orchestras in a section consisting of two players. [23]