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Taoist music is the ceremonial music of Taoism. The importance of music in Taoist ceremony is demonstrated by revealing how central beliefs are reflected through elements of music such as instrumentation and rhythm. Expression of spiritual beliefs through music enables followers of Taoism to enhance their path to enlightenment.
Zhang Liyin had mentioned that the song is a follow-up track and a continuation of the storyline of Agape during her YouTube Interview with Victoria and Tao.In a press release from SM Entertainment on September 18, [1] the song would be released on September 20, 2014 in China through Baidu and then later released in South Korea through Korean music sites MelOn, Genie, Naver and Bugs on ...
Chinese Musical Instruments (Chinese Music Monograph Series). 1999. Chinese Music Society of North America Press. ISBN 1-880464-03-9; Shen, Sinyan. Chinese Music in the 20th Century (Chinese Music Monograph Series). 2001. Chinese Music Society of North America Press. ISBN 1-880464-04-7; Yuan, Bingchang, and Jizeng Mao (1986).
In the early 20th century, Chinese and Western music cultures slowly merged, driven by the external forces of art, to create a new style of Chinese music that was based on both cultures. Then, it was not until March 2, 1930, when the " League of Left-Wing Writers " was founded and its corresponding music criticism and music social activities ...
In the early 20th century, the term guoyue was widely used to distinguish between imported Western music and traditional Chinese music. It therefore included all Han Chinese music but excluded anything written for Western instruments. [3] In its broadest sense it includes all Chinese instrumental music, opera, regional folk genres, and solo pieces.
Students studying composition at Taiwan Provincial Normal University and the National Taiwan Academy of Arts received a great deal of exposure to Chinese traditional music, operas, and works written by Chinese composers from the first half of the 20th century, such as art songs by Tzu Huang, Yuen-ren Chao, Bao-chen Li, and Xue'an Liu, and ...
A variation on the ancient ‘bili’ of the Tang and Song dynasties, the Guan often accompanies ancient Buddhist and Taoist music, but is also found throughout Chinese cultural music. [23] Due to its distinct tambre, the Guan is usually placed in the mid-section of traditional wind orchestras in a section consisting of two players. [23]
Guangdong music, also known as Cantonese music (廣東音樂 Jyutping: gwong2dung1 jam1ngok6, Yale: gwóng-dūng yām-ngohk, Pinyin: Guǎngdōng yīnyuè) is a style of traditional Chinese instrumental music from Guangzhou and surrounding areas in Pearl River Delta of Guangdong Province on the southern coast of China.