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Barely Breaking Even (BBE) is a British record label started by two DJs, Peter Adarkwah and Ben Jolly. The name BBE comes from The Universal Robot Band's 1982 track "Barely Breaking Even". It has two sublabels: Deep Funk, and Urban Theory. BBE is also notable for its Beat Generation series of LPs. [2]
The Beat Generation is a 1959 American crime film noir from Metro-Goldwyn-Mayer starring Steve Cochran and Mamie Van Doren, with Ray Danton, Fay Spain, Maggie Hayes, Jackie Coogan, Louis Armstrong, James Mitchum, Vampira, and Ray Anthony. [2]
The album is an Instrumental hip hop album and the second installment of BBE Records Beat Generation series, following Jay Dee's Welcome to Detroit album. The instrumental songs were originally recorded between 1990 and 1995, but were remixed and continued when putting together the album.
The Beat Museum is located in San Francisco, California and is dedicated to preserving the memory and works of the Beat Generation.. The Beat Generation was a group of post-WWII artists who challenged the social norms of the 1950s, [1] [2] encouraged experimentation with drugs and sexuality, practiced various types of Eastern religion, and desired to grow as humans.
The film is about the Beat Generation (which originated in the 1940s) [2] and its impact on the counterculture movements from the 1960s-70s onwards [3] and features appearances by Johnny Depp, Dennis Hopper, and John Turturro each reciting one writer's work (as with Turturro reciting Howl) to another intermixed with archival stock footage and excerpts from various films and shows like Jeopardy ...
The Beat Generation was a literary subculture movement started by a group of authors whose work explored and influenced American culture and politics in the post-World War II era. [1] The bulk of their work was published and popularized by Silent Generationers in the 1950s , better known as Beatniks .
Beat Generation Herbert Edwin Huncke ( / ˈ h ʌ ŋ k i / HUNK -ee ; [ 1 ] January 9, 1915 – August 8, 1996) was an American writer and poet, and an active participant in a number of emerging cultural, social and aesthetic movements of the 20th century in America.
The Beat Generation, that was a vision that we had, John Clellon Holmes and I, and Allen Ginsberg in an even wilder way, in the late Forties, of a generation of crazy, illuminated hipsters suddenly rising and roaming America, serious, bumming and hitchhiking everywhere, ragged, beatific, beautiful in an ugly graceful new way—a vision gleaned ...