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In the famous speech of Act II, Scene II [1] of the play, the line is said by Juliet in reference to Romeo's house: Montague. The line implies that his name (and thus his family's feud with Juliet's family) means nothing and they should be together. Juliet: O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name;
three times. This triple curse, directed at the Montague and Capulet houses, almost literally comes true. Due to an unfortunate coincidence – a plague quarantine imposed by the city guards – Friar John is unable to deliver a letter informing the exiled Romeo that Juliet is not dead but asleep. As a result, both Romeo and Juliet perish.
Romeo and Juliet is a dramatization of Brooke's translation, and Shakespeare follows the poem closely but adds detail to several major and minor characters (the Nurse and Mercutio in particular). [23] [24] [25]
William Shakespeare's play Romeo and Juliet, set in Verona, Italy, features the eponymous protagonists Romeo Montague and Juliet Capulet.The cast of characters also includes members of their respective families and households; Prince Escalus, the city's ruler, and his kinsman, Count Paris; and various unaffiliated characters such as Friar Laurence and the Chorus.
In scene 4, Romeo and Juliet enter the masked ball, sulking at each other. Romeo thinks that Tybalt is Constance and puts his hand on Tybalt's bottom. Constance enters, and Romeo tells her that he loves her. Tybalt sees Romeo kiss Constance and sends Juliet to interrupt them. Romeo introduces Constance to Juliet, and Juliet falls in love with her.
“In every conceivable manner, the family is a link to our past, bridge to our future.”— Alex Haley “It is the smile of a child, the love of a mother, the joy of a father, the togetherness ...
Mercutio (/ m ər ˈ k juː ʃ i oʊ / mər-KEW-shee-oh, [1] Italian: Mercuzio) is a fictional character in William Shakespeare's 1597 tragedy, Romeo and Juliet.He is a close friend to Romeo and a blood relative to Prince Escalus and Count Paris.
Gounod's Roméo et Juliette, in which the composer is always pleasing, though seldom impressive, might be described as the powerful drama of Romeo and Juliet reduced to the proportions of an eclogue for Juliet and Romeo. One remembers the work as a series of very pretty duets, varied by a sparkling waltz air for Juliet, in which Madame Patti ...