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18. Luca With nods to Italian films and Japanese animation, Pixar succeeds again with this magical coming-of-age tale about the summer adventures of a young boy (er… sea monster from a hidden ...
The SpongeBob Movie: Sponge on the Run: Paramount+ / Paramount Animation / Nickelodeon Movies / MRC: Tim Hill (director/screenplay); Tom Kenny, Awkwafina, Matt Berry, Snoop Dogg, Bill Fagerbakke, Clancy Brown, Tiffany Haddish, Carolyn Lawrence, Mr. Lawrence, Keanu Reeves, Danny Trejo, Reggie Watts
2021: unspec. A Quiet Place: 2018: 2020–2021 Quintet: 1979: unspec. R Rain Without Thunder: 1993: 2042 Ready Player One: 2018: 2025–2040, 2045 Real Steel: 2011: 2020 Red Planet: 2000: 2056-2057 Reign of Fire: 2002: 2008–2020 Reminiscence: 2021: 2050 Renaissance: 2006: 2054 Repo! The Genetic Opera: 2008: 2057 Repo Men: 2010: 2025 Ressha ...
Chinese filmmaker Chloé Zhao became the first woman of color to win Best Director and the second woman overall after Kathryn Bigelow, who won at the 2010 ceremony for directing The Hurt Locker. [18] At age 83, Best Actor winner Anthony Hopkins was the oldest performer to ever win a competitive acting Oscar. [19]
2021 in film is an overview of events, including the highest-grossing films, award ceremonies, festivals, a list of country-specific lists of films released, and movie programming. The release of Steven Spielberg 's adaptation of West Side Story coincided with the 60th anniversary of the musical's 1961 film adaptation .
Demon Slayer: Kimetsu no Yaiba – The Movie: Mugen Train reached #1 in its second weekend of release. It also became the first foreign language film since Hero and the first Japanese animated film since Pokémon: The First Movie to reach #1 at the box office. [19] 19: May 9, 2021: Wrath of Man: $8,309,007 [20] 20: May 16, 2021: Spiral ...
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[4] In New Zealand's Waikato Times James Croot give it 2 stars and finishes "Visually impressive, this Australian production may well lead to bigger things for the clearly talented Furlong, but narratively, it's a barely coherent mess that feels like a desperate cinematic placeholder until the global movie industry gets back up to speed." [5]