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The website has received significant coverage in mainstream news for its discussions on certain songs. In July 2005, users fiercely debated the meanings of the lyrics to Coldplay's song, "Speed of Sound". [7] The News & Observer called SongMeaning's discussions on the meaning to the lyrics of 50 Cent's "Wanksta" particularly "illuminating". [8]
The song was written by Dylan and produced by Bob Johnston. The song's lyrics, which in its original version contain twelve lines, feature a conversation between a joker and a thief. The song has been subject to various interpretations; some reviewers have noted that it echoes lines in the Book of Isaiah, Chapter 21, verses 5
In her song “Bad Blood,” she sends a vindictive message to an ex-friend who “made a really deep cut.” The song originally debuted on Swift’s 2014 album, “1989.”
Reviewers have offered a variety of interpretations of the song's lyrics. A British journalist said that "the puzzle of its lyrics and otherworldly beauty of its sound offering seemingly endless interpretations." [2] Hazlewood's explanation was less definitive than those of some others, saying: "It’s not meant to mean so much.
The song's cryptic lyrics have inspired a number of listener theories as to what the song is really about. Reddy never said what her interpretation of the storyline was, partly because she said she enjoyed hearing listeners' interpretations. Reddy also said that "Angie Baby" was the one song she never had to push radio stations into playing.
The song is one of the best-known recordings by the band, and in 1998 its long guitar coda was voted the best guitar solo of all time by readers of Guitarist. [2] [8] The song was awarded the Grammy Award for Record of the Year in 1978. [9] The meaning of the lyrics of the song has been discussed by fans and critics ever since its release.
The song's oblique lyrics are suggestive of religious and end time themes, with references to prayer, meaningful birthmarks and signs in the sky. Writing for The Guardian in 2015, Ben Hewitt drew attention to the lyrics' apocalyptic nature, imagining Cohen "greedily eyeing world domination like a Bond villain". [1]
The song debuted in the album American Pie in October 1971 and was released as a single in November. The song's eight-and-a-half-minute length meant that it could not fit entirely on one side of the 45 RPM record, so United Artists had the first 4: 11 taking up the A-side of the record and the final 4: 31 the B-side. Radio stations initially ...