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In 2002, after extensive pressure from fans of the show, Jan Hammer finally released a more comprehensive collection of the score music he wrote for Miami Vice. While the first disc contained music that had already been released on previous soundtracks (namely the three Miami Vice albums and Hammer's own album, Escape from Television ), the ...
The music video of the theme is a mini-episode of the TV series with Hammer as a fugitive on the run from James "Sonny" Crockett and Ricardo Tubbs. Throughout the majority of the video, Hammer performs the theme in front of a projector screen playing footage from the TV series – including scenes of the Vice duo chasing him.
Solid Gold – Theme song performed by Dionne Warwick (Seasons 1 and 4) and Marilyn McCoo (Seasons 2–3, 5–8) Some Mothers Do 'Ave Em – Ronnie Hazlehurst; The Sonny & Cher Comedy Hour ("The Beat Goes On") – Sonny Bono and Cher; Sonny with a Chance ("So Far, So Great") – Demi Lovato; The Sooty Show – Alan Braden
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The Best of TV Quiz & Game Show Themes was the 2000 follow-up to the bestselling Classic TV Game Show Themes CD, [1] released by Varèse Sarabande. Like the original , the CD contained 20 tracks. Track listing
As was customary for Miami Vice episodes, [6] "Out Where the Buses Don't Run" made use of popular music. The opening scene features "Baba O'Riley" by The Who, and "Brothers in Arms" by Dire Straits plays during the climactic scene. Incidental music by series composer Jan Hammer is used for the remainder of the episode's score. [7]
It was written specifically for the television show Miami Vice in 1985. The song peaked at number two on the US Billboard Hot 100 chart, although it did reach the top of the Billboard Top Rock Tracks chart. [3] The song, along with Jan Hammer's "Miami Vice Theme", helped the Miami Vice soundtrack album reach the top spot of the Billboard 200 chart.
While other television shows used made-for-TV music, Miami Vice would spend $10,000 or more per episode to buy the rights to original recordings. [4] Getting a song played on Miami Vice was a boost to record labels and artists. [23] Some newspapers, such as USA Today, would let readers know the songs that would be featured each week. [24]