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The heckelphone is a double reed instrument of the oboe family, but with a wider bore and hence a heavier and more penetrating tone. It is pitched an octave below the oboe and furnished with an additional semitone taking its range down to A. [3] It was intended to provide a broad oboe-like sound in the middle register of the large orchestrations of the turn of the twentieth century.
[3] [4] Much of the original repertoire for the reed trio was written for Oubradous’ ensemble as well as the contemporaneous Trio d’Anches René Daraux (René Daraux, oboe; Fernand Gossens, clarinet; Ange Maugendre, bassoon). Professional reed trios that have produced commercial recordings include the Saarland Radio Wind Trio, Ensemble ...
Contemporary bombards may have sophisticated keywork, resulting in fully chromatic instruments. Milder versions tending to a romantic-era oboe sound such as Youenn Le Bihan's "pistoñ" (a baroque oboe/bombard hybrid) have been developed for use in mixed ensembles, resulting in completely new sounds and realms of expression.
A number of concertos (as well as non-concerto works) have been written for the oboe, both as a solo instrument as well as in conjunction with other solo instrument(s), and accompanied by string orchestra, chamber orchestra, full orchestra, concert band, or similar large ensemble. These include concertos by the following composers:
Andrew Mackay (born 23 July 1946) is an English musician, best known as a founding member (playing oboe and saxophone) of the art rock group Roxy Music.. In addition, he has taught music and provided scores for television, while his work as a session musician encompasses some of the most noteworthy and recognisable names in the music business.
Patience Higgins is a New York-based jazz saxophonist, flutist, and multi-reed musician. [1] He also plays clarinet, oboe, and English horn. He has performed with Duke Ellington Orchestra, Barry Harris, Archie Shepp, Jimmy Scott, Stevie Wonder, Ray Charles, Dee Dee Bridgewater, Paquito D’Rivera, Cleo Laine, and The Sugar Hill Jazz Quartet.
Orchestras tune to a concert A played by the first oboe. [10] According to the League of American Orchestras, this is done because the pitch is secure and its penetrating sound makes it ideal for tuning. [11] The pitch of the oboe is affected by the way in which the reed is made. The reed has a significant effect on the sound.
For example, a Reed 1 Book may contain music for piccolo, flute, alto saxophone, clarinet, and/or oboe. A musician handed a reed book would be expected to play each part. Because the musician plays so many different instruments, he or she is referred to as a "doubler" (even though the Reed Books may have up to eight instruments each). [ 2 ]