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Poetic Diction is a style of writing in poetry which encompasses vocabulary, phrasing, and grammatical usage. Along with syntax, poetic diction functions in the setting the tone, mood, and atmosphere of a poem to convey the poet's intention. Poetic devices shape a poem and its meanings.
A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. The German term Tondichtung (tone poem) appears to have been first used by the composer Carl Loewe in 1828.
In Classical Chinese poetry, the presence or absence of formal tonal constraints regarding tone pattern varies according to the poetic form of a specific poem.Sometimes the rules governing the permissible tone patterns for a poem were quite strict, yet still allowed for a certain amount of liberty and variation, as in the case of regulated verse.
Lemminkäinen Suite (also known as Four Legends from the Kalevala), Op. 22 * [a cycle of four tone poems] Lemminkäinen and the Maidens of the Island (1895, revised 1897 and 1939) * The Swan of Tuonela (1893-1895, revised 1897 and 1900) *
The tone poems of Richard Strauss are noted as the high point of program music in the latter part of the 19th century, extending its boundaries and taking the concept of realism in music to an unprecedented level. In these works, he widened the expressive range of music while depicting subjects many times thought unsuitable for musical depiction.
The poet's tone has undergone an emphatic change.' [2] Ciardi does not use the term "volta". In The Poet's Art, M.L. Rosenthal employs two different terms for different kinds of turns: "gentle modulations, or at the furthest extreme, wrenching turns of emphasis or focus or emotional pitch ". [3]
While now used to discuss literature, the term tone was originally applied solely to music. This appropriated word has come to represent attitudes and feelings a speaker (in poetry), a narrator (in fiction), or an author (in non-literary prose) has towards the subject, situation, and/or the intended audience.
The tone of the poem rejects the optimistic pursuit of pleasure found within Keats's earlier poems and, instead, explores the themes of nature, transience and mortality, the latter being particularly relevant to Keats. The nightingale described experiences a type of death but does not actually die.