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Frame 150 from the Zapruder film. Kennedy's limousine has just turned onto Elm Street, moments before the first shot. The Zapruder film is a silent 8mm color motion picture sequence shot by Abraham Zapruder with a Bell & Howell home-movie camera, as United States President John F. Kennedy's motorcade passed through Dealey Plaza in Dallas, Texas, on November 22, 1963.
The version of the Zapruder film available to the public depicts the fatal head shot on only one frame of the film, frame 313. Additionally, Brugioni is adamant that the set of briefing boards available to the public in the National Archives is not the set that he and his team produced on November 23–24, 1963. [11] [14]
Both Moorman and her friend, Jean Hill, can be clearly seen in the Zapruder film. [3] Between Zapruder frames 315 and 316, Moorman took a Polaroid photograph, her fifth that day, showing the presidential limousine with the grassy knoll area in the background. Moorman's photograph captured the fatal headshot that killed President Kennedy.
Farris Rookstool III, a historian, documentary filmmaker and former FBI analyst who has reviewed the film, said it shows the rush to Parkland Hospital in a more complete way than other, more ...
Adding to that sense of doubt is a film of the assassination taken by amateur photographer Abraham Zapruder. In his video, Kennedy’s head appears to be thrown backwards, suggesting that a bullet ...
The version of the Zapruder film available to the public depicts the fatal head shot on only one frame of the film, frame 313. Additionally, Brugioni is certain that the set of briefing boards available to the public in the National Archives is not the set that he and his team produced on November 23–24, 1963.
In the same ABC documentary, Myers uses a close-up examination of the Zapruder film to justify the single-bullet theory and calls attention to frames 223 and 224 on the Zapruder film, where the right-side lapel of Governor Connally's jacket appears to "pop out," as if being pushed from within by an unseen force. Myers theorizes that this is the ...
The Badge Man is reputedly visible in Moorman's fifth and most famous photo of the area, taken almost exactly at the moment of the fatal shot. This photo has been calculated to have been captured between Zapruder film frames 315 and 316, less than one-sixth of a second after President Kennedy was shot in the head at frame 313. [3]