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"Mambo Italiano" is a popular song written by Bob Merrill in 1954 for the American singer Rosemary Clooney. The song became a hit for Clooney, reaching the top ten on record charts in the US and France and No. 1 on the UK Singles Chart in early 1955. The song has shown enduring popularity, with several cover versions and appearances in numerous ...
"I Hope I Get It" is a ten-minute sequence, one of the most exciting openings in all musical theatre. We are watching the beginning of the final phase of a Broadway tryout. A rehearsal piano plays as Bennett fills the stage with flying arms and legs, as groups of dancers in rehearsal clothes vanish and reappear.
A Chorus Line is a 1975 musical conceived by Michael Bennett with music by Marvin Hamlisch, lyrics by Edward Kleban, and a book by James Kirkwood Jr. and Nicholas Dante. Set on the bare stage of a Broadway theater, the musical is centered on seventeen Broadway dancers auditioning for spots on a chorus line .
I Can Do That (A Chorus Line song) I Hope I Get It; N. Nothing (A Chorus Line song) O. One (A Chorus Line song) S. Sing! (song) W. What I Did for Love
A person singing karaoke in Hong Kong ("Run Away from Home" by Janice Vidal). Karaoke (/ ˌ k ær i ˈ oʊ k i /; [1] Japanese: ⓘ; カラオケ, clipped compound of Japanese kara 空 "empty" and ōkesutora オーケストラ "orchestra") is a type of interactive entertainment system usually offered in clubs and bars, where people sing along to pre-recorded accompaniment using a microphone.
Note: These songlists include the names of the artists who most famously recorded the song. The songs as they appear in the game are covers, with the exceptions being the song "Dance Like There's No Tomorrow", which is the master recording of the Paula Abdul song, and 10 original Mowtown songs in the Xbox version of Karaoke Revolution
Mambo Italiano may refer to: "Mambo Italiano" (song), a popular song written by Bob Merrill in 1954; Mambo Italiano, directed by Émile Gaudreault
New City Stage wrote that "the brilliance of A Chorus Line has always been in the undeniable synergy of all its creative elements. Case in point: the show’s fifteen-minute "Hello Twelve, Hello Thirteen, Hello Love" number, better known as the 'Montage' since it actually consists of musical numbers within numbers, monologues, lyrical fragments and all-out dance sequences."