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Dance notation is the symbolic representation of human dance movement and form, using methods such as graphic symbols and figures, path mapping, numerical systems, and letter and word notations. Several dance notation systems have been invented, many of which are designed to document specific types of dance while others have been developed with ...
Benesh Movement Notation was created by Joan Benesh and her husband Rudolph Benesh. [1] In 1955, Rudolf Benesh publicly introduced Benesh notation as an "aesthetic and scientific study of all forms of human movement by movement notation". In 1997, the Benesh Institute (an organisation focused on Benesh notation) merged with the Royal Academy of ...
Approximately 30 are primary symbols and the remainder are compound derivatives. There is no attempt to indicate style, expression, or any of the other dance nuances. These are left entirely to the discretion of the performer or teacher. The primary symbols define Weight change; Movement of feet (step, tap, brush, shuffle, jump, hop, chug, slide)
Labanotation is a record of the facts, the framework of the movement, so that it can be reproduced. The symbols are placed on a vertical staff, the horizontal dimension of the staff represents the symmetry of the body, and the vertical dimension represents time passing by. The location of a symbol on the staff defines the body part it represents.
The SSS-99 symbol set expanded the number of symbols, and the SSS-2002 set was the first to use the current identification numbering system. The final version, SSS-2004, was renamed International Movement Writing Alphabet (SSS-IMWA) to reflect its usefulness in applications beyond sign language.
Sound-producing: musician or actor creating musical sound. Sound-accompanying: dance or other types of movements that are linked to music. Perceiver - movements that are an integral part of music listening: Directly connected: dance, air performance; Loosely connected: running, training. Grooving: tapping a foot, nodding the head, etc.
Laban movement analysis (LMA), sometimes Laban/Bartenieff movement analysis, is a method and language for describing, visualizing, interpreting and documenting human movement. It is based on the original work of Rudolf Laban , which was developed and extended by Lisa Ullmann , Irmgard Bartenieff , Warren Lamb and others.
In Laban Movement Analysis and Space Harmony (Choreutics) the same 27 direction symbols are used but they have a different conceptualization. Instead of envisaging the signs on three parallel horizontal planes (high, middle, and low levels), the direction signs are organized according to the octahedron, cube (), and the icosahedron.