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A 1950s poodle skirt. A poodle skirt is a wide swing felt skirt of a solid color displaying a design appliquéd or transferred to the fabric. [1] The design was often a coiffed poodle. Later substitutes for the poodle patch included flamingoes, flowers, and hot rod cars. [2] Hemlines were to the knee or just below it.
The term was first used by the French couture designer Christian Dior as the label for his collection of spring 1955. [2] The A-Line collection's feature item, then the "most wanted silhouette in Paris", was a "fingertip-length flared jacket worn over a dress with a very full, pleated skirt".
Layers may look identical in solid-colored garments, or may differ when made of printed fabrics. Prairie skirt: Variant of a tiered skirt, a flared skirt with one or more flounces or tiers (1970s and on). Trouser skirt: A straight skirt with the part above the hips tailored like men's trousers, with belt loops, pockets, and fly front.
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Fashion figures explain color-blocking as wearing multiple articles of solid-colored clothing in a single outfit. [6] Traditional color-blocking consists of putting two or three different, but complementary colors together in one outfit. [7] It is also considered color-blocking even if the colors are not direct opposites on the color wheel.
For women, skirts became longer and the waist-line was returned up to its normal position. Other aspects of fashion from the 1920s took longer to phase out. Cloche hats remained popular until about 1933 while short hair remained popular for many women until late in the 1930s and even in the early 1940s.