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  2. Electro-Voice RE20 - Wikipedia

    en.wikipedia.org/wiki/Electro-Voice_RE20

    The Electro-Voice RE20 is an American professional cardioid dynamic microphone, commonly used in broadcasting applications since 1968. Designed by Electro-Voice using the company's patented Variable-D technology and a large-diaphragm element, it has been described as an industry standard "iconic" microphone for its natural sound and its wide ...

  3. Sound recording and reproduction - Wikipedia

    en.wikipedia.org/wiki/Sound_recording_and...

    Frances Densmore and Blackfoot chief Mountain Chief working on a recording project of the Bureau of American Ethnology (1916).. Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects.

  4. LaLaVoice - Wikipedia

    en.wikipedia.org/wiki/LaLaVoice

    LaLaVoice had several capabilities, which it mostly gained from basic text-to-speech input, though it was also possible to input the sounds using a microphone. As well as simple reading of text, it had the ability to produce singing vocals ("LaLaSong") [ 1 ] and read specific frames of webpages.

  5. Microphone - Wikipedia

    en.wikipedia.org/wiki/Microphone

    The first microphone that enabled proper voice telephony was the ... Patti Smith singing into a Shure SM58 ... A lavalier microphone is made for hands-free operation ...

  6. Sound reinforcement system - Wikipedia

    en.wikipedia.org/wiki/Sound_reinforcement_system

    Microphones on stands are also placed in front of instrument amplifiers to pick up the sound. Headset-mounted and tie-clip-mounted microphones are often used with wireless transmission to allow performers or speakers to move freely. Early adopters of headset mounted microphones technology included country singer Garth Brooks, [6] Kate Bush, and ...

  7. Pop filter - Wikipedia

    en.wikipedia.org/wiki/Pop_filter

    The position of the pop filter is different in different recording situations, with a further position from the microphone causing fewer pop sounds. More distance means increasing the microphone gain and gaining more room noise. Normally, to get good quality, the pop filter should be placed about 2–6 inches (5–15 cm) away from the ...