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Dona Isabel de Requesens wears a gown with wide, open sleeves lined in light pink. Her high waist is accentuated with a knotted sash. The full sleeves of her chemise are gathered into ornamented bands, and she wears a broad hat that matches her gown, 1518. Marguerite d'Angoulême wears the Italian style common in Savoy. Her black gown has very ...
Mary Queen of Scots wears an open French collar with an attached ruff under a black gown with a flared collar and white lining. Her black hat with a feather is decorated with pearls and worn over a caul that covers her hair, 1560s. Unknown lady holding a pomander wears a black gown with puffed upper sleeves over a striped high-necked bodice or ...
Her black gown is high necked in front and lower at the back, typical of Italian fashion at this time, and is worn with floral sleeves, probably attached to an underdress, 1465–1470. Italian fresco showing women with their hair braided or twisted, and wrapped around their heads, secured with ribbons laced through the coils, 1468–1470.
The shift or smock had full sleeves early in the period and tight, elbow-length sleeves in the 1740s as the sleeves of the gown narrowed. Some women wore drawers (underpants) in England. For instance, as early as 1676 inventory of Hillard Veren had "3 pair of women drawers".
In Medieval and Renaissance England gown referred to a loose outer garment worn by both men and women, sometimes short, more often ankle length, with sleeves. By the 18th century gown had become a standard category term for a women's dress , a meaning it retained until the mid-20th century.
A houppelande or houpelande is an outer garment, with a long, full body and flaring sleeves, that was worn by both men and women in Europe in the late Middle Ages. Sometimes the houppelande was lined with fur. The garment was later worn by professional classes, and has remained in Western civilization as the familiar academic and legal robes of ...
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