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The outer cover is sometimes alternatively made of a variety of other materials such as silk, linen, leather, or washi. [12] Zabuton were commonly made using meisen until the 1960s when meisen production ceased. [13] The zabuton originates from an earlier type of cushion called a shitone (Japanese: 褥), used in early Japan by the aristocratic ...
An ottoman is a piece of furniture. [1] Generally, ottomans have neither backs nor arms. They may be an upholstered low couch or a smaller cushioned seat used as a table, stool or footstool. The seat may have hinges and a lid for the inside hollow, which can be used for storing linen, magazines, or other items, making it a form of storage ...
A zabuton (Japanese: 座布団, [d͡zabɯtoɴ]) is a rectangular cushion, about 76 centimetres (30 in) by 71 centimetres (28 in), that is often used under a zafu cushion to provide comfort and support when engaged in zazen. The outer cover is typically made of a heavy duty fabric and has a zipper along one side so that it can be easily removed ...
Making of log furniture: cutting a bar stool from a piece of log. All different types of woods have unique signature marks that can help in easy identification of the type. Hardwood and softwood are the two main categories for wood. Both hardwoods and softwoods are used in furniture manufacturing, and each has its own specific uses. Deciduous ...
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Primarily, in the Middle East (especially the Ottoman Empire), a divan was a long seat formed of a mattress laid against the side of the room, upon the floor, or a raised structure or frame, with cushions to lean against. [2]
The Ottoman coffeehouse (Ottoman Turkish: قهوهخانه, romanized: kahvehane), or Ottoman café, was a distinctive part of the culture of the Ottoman Empire. These coffeehouses , started in the mid-sixteenth century, brought together citizens across society for educational, social, and political activity as well as general information ...
With the advent of the Ottoman Baroque in the 18th century, Ottoman stone carving borrowed motifs directly from the relief ornamentation in French Rococo architecture, including acanthus leaves, shells, baroque moldings, and mixtilinear arch forms. [125] This was evident first and foremost in new fountains and sebils. [126]