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Bossa nova (Portuguese pronunciation: [ˈbɔsɐ ˈnɔvɐ] ⓘ) is a relaxed style of samba [nb 1] developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. [2] It is mainly characterized by a calm syncopated rhythm with chords and fingerstyle mimicking the beat of a samba groove, as if it was a simplification and stylization on the guitar of the rhythm produced by a samba school band.
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The song title refers to the main melody line, which at first consists of a long series of notes of a single tone (typically D, as played in the key of G) played over a descending chord progression in a bossa nova rhythm. The first eight measures consist of D, followed by four measures of G, and then four measures of D.
Bossa nova stick pattern (Play ⓘ). The so-called "bossa nova clave" (or "Brazilian clave") has a similar rhythm to that of the son clave, but the second note on the two-side is delayed by one pulse (subdivision). The rhythm is typically played as a snare rim pattern in bossa nova music. The pattern is shown below in 2
Latin jazz is a genre of jazz with Latin American rhythms. The two main categories are Afro-Cuban jazz, rhythmically based on Cuban popular dance music, with a rhythm section employing ostinato patterns or a clave, and Afro-Brazilian jazz, which includes samba and bossa nova.
Luiz Bonfá – guitar, vocals; Maria Helena Toledo – vocals; Leo Wright – flute; Oscar Castro-Neves – piano, electric organ, guitar; Iko Castro-Neves – double bass; Roberto Pontes-Dias – drums, percussion; Lalo Schifrin – arranger; Technical. Jim Marshall – photography
Powell studied advanced harmony with Moacir Santos and released recordings on the Brazilian labels Elenco Records and Forma, as well as in the French label Barclay and the German label MPS/Saba (notably, his 1966 Tristeza on Guitar). He was the house guitarist for Elenco, and of the singer Elis Regina's TV show O Fino da Bossa.
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