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Amos Rex is an art museum named after the publisher and arts patron Amos Anderson and located in Lasipalatsi, on Mannerheimintie boulevard in Helsinki, Finland.It opened in 2018 and rapidly reached international popularity, attracting more than 10,000 visitors in a matter of weeks. [1]
The Assembly demoparty 2004 in Helsinki Halli. The Assembly demoparty is an annual demoscene and gaming event in Finland. It is the biggest and the longest standing demoscene party. [1] The Summer event takes place every year at Messukeskus in Helsinki, between late July and early August, and lasts three to four days. [2] The 2020 edition was ...
[3] [17] [18] The Acts of Art Gallery was founded by artists Nigel Jackson and Patricia Gray to present the work of Black artists in a neighborhood “outside of the ghetto areas.” [19] "Rebuttal" featured the work of 47 black artists who opposed the “Contemporary Black Artists in America” exhibit. [20] [21] [22]
Black Abstractionism is a term that refers to a modern arts movement that celebrates Black artists of African-American and African ancestry, whether as direct descendants of Africa or of a combined mixed-race heritage, who create work that is not representational, presenting the viewer with abstract expression, imagery, and ideas.
Steelfest Open Air is an annual black metal music festival located in Hyvinkää, Finland, 60 kilometres north of Helsinki. Founded by Jani Laine, the first edition occurred in 2012. It traditionally took place over two days in May at the Villatehdas venue from 2012 to 2019 before being halted by the COVID-19 pandemic. Upon its return, it ...
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In Kallahti, a neighborhood of Helsinki, 9.8% of the population consists of Africans. [ 23 ] [ full citation needed ] On 31 December 2020, the region with the most people with a close African background [ a ] was Uusimaa with 39,987 people (2.4% of the region's total population), which is 69.6% of their total population in Finland.
Freestyle was a contemporary art exhibition at The Studio Museum in Harlem from April 28-June 24, 2001 curated by Thelma Golden with the support of curatorial assistant Christine Y. Kim. Golden curated the works of 28 emerging black artists for the exhibition, characterizing the work as 'Post-Black'.