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Cajun fiddle music is a part of the American fiddle music canon. It is derived from the music of southwest Louisiana and southeast Texas, as well as sharing repertoire from the Quebec and Cape Breton Island traditions. [1] It is one of the few extant North American folk music traditions rooted in French chanson. [2]
Mr. Country Fiddle, Marathon Music MMS-76046; The Superb Fiddling of Graham Townsend, Audat Records 477-9079; Le Violon - The Fiddle, Rounder Records 7002; House Party, Rodeo Records RLP 8015; Harvest Home, Point Records PS 357; Down Home Fiddlin', Audat 477-9048; Still Going Strong, Rodeo RLPCD 8044; Country Licks & All That Jazz, CBC ...
This music, usually considered to be synonymous with Western swing, is bona fide fiddle music and is deeply intertwined with country and folk music as played by Willie Nelson, Merle Haggard, Vince Gill, Dale Watson, the Wheel's Jason Roberts, Jesse Dayton, and Garrison Keillor. [15]
The Fiddler's Fakebook, by David Brody, is a collection of fiddle tunes in lead sheet form (naturally without lyrics). It includes tunes in the following styles: [1] England; Scotland; Ireland; Shetland; French Canadian; Nova Scotia/Cape Breton; New England; Old-Time; Bluegrass; Texas Style; Western Swing
The Traditional Tune Archive (TTA) is the searchable digital library of traditional music from Ireland, Great Britain and North America organized alphabetically, by tune title, with alternate or additional titles and variants cross-referenced, music in standard and ABC notation, annotated information on history and context, along with references and internet links for further reference.
A forming limit diagram, also known as a forming limit curve, is used in sheet metal forming for predicting forming behavior of sheet metal. [1] [2] The diagram attempts to provide a graphical description of material failure tests, such as a punched dome test. In order to determine whether a given region has failed, a mechanical test is performed.
"Flowers of Edinburgh" is a traditional fiddle tune, of eighteenth century Scottish lineage. It is also prominent in American fiddle , Canadian fiddle and wherever old time fiddle is cultivated. The tune is also the basis for a Morris Dance , in the Bledington style.
The Fiddle Music of James Hill (ISBN 0-902510-27-4), a collection of Hill's compositions and other tunes, transposed into keys suitable for Northumbrian smallpipes, has been published by the Northumbrian Pipers' Society. Some of the early manuscript sources for his music may be viewed in facsimile on the FARNE (Folk Archive Resource North East ...