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Table-turning (also known as table-tapping, table-tipping or table-tilting) is a type of séance in which participants sit around a table, place their hands on it, and wait for rotations. The table was purportedly made to serve as a means of communicating with the spirits; the alphabet would be slowly spoken aloud and the table would tilt at ...
A main motion that has been laid on the table may be taken up again by adoption of a motion to take from the table. [14] A motion can be taken from the table at the same session (or meeting) or at the next session (or meeting) if that session occurs within a quarterly time interval. [15] Otherwise, the motion dies. [15]
Let bygones be bygones; Let not the sun go down on your wrath; Let sleeping Aussies lie; Let sleeping dogs lie; Let the buyer beware; Let the cat out of the bag [15] Let the dead bury the dead (N.T.) Let the punishment fit the crime; Let well alone; Let your hair down; Life begins at forty; Life is too short not to do something that matters.
The “let them” theory can even work for parenting, Slavens says. “If an older child repeatedly disregards your household rules, for example, ‘let them’ does not mean to ignore that behavior.
"Even a worm will turn" is an English language expression used to convey the message that even the meekest or most docile of creatures will retaliate or seek revenge if pushed too far. [1] The phrase was first recorded in a 1546 collection of proverbs by John Heywood , in the form "Treade a worme on the tayle, and it must turne agayne."
Lodgings to Let, an 1814 engraving featuring a double entendre. He: "My sweet honey, I hope you are to be let with the Lodgins!" She: "No, sir, I am to be let alone".. A double entendre [note 1] (plural double entendres) is a figure of speech or a particular way of wording that is devised to have a double meaning, one of which is typically obvious, and the other often conveys a message that ...
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The turn in poetry has gone by many names. In "The Poem in Countermotion", the final chapter of How Does a Poem Mean?, John Ciardi speaks thus of the "fulcrum" in relation to the non-sonnet poem "O western wind" (O Western Wind/when wilt thou blow/The small rain down can rain//Christ! my love were in my arms/and I in my bed again): 'The first two lines are a cry of anguish to the western wind ...