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"Losing It", song by Rush from the album Signals ... "Losing It (Song for Abigail)", song by The Boo Radleys from the album Everything's Alright Forever, 1992
On Rush's 2008 live album, Snakes & Arrows Live, it is titled "De Slagwerker," and is coupled with "Malignant Narcissism" on the track-list. "O Baterista" was the fourth song nominated for a Grammy, [citation needed] in 2005, losing to Brian Wilson's "Mrs. O'Leary's Cow".
Signals is the ninth studio album by Canadian rock band Rush, released on September 9, 1982 by Anthem Records. [3] After the release of their previous album, Moving Pictures, the band started to prepare material for a follow-up during soundchecks on their 1981 concert tour and during the mixing of their subsequent live album Exit...Stage Left.
R40 Live is the last live audio album release and the last live video release of Canadian prog-rock band Rush, recorded on their high-grossing R40 Live Tour. Both formats were released November 20, 2015. The performances were filmed on June 17 and 19, 2015, at Air Canada Centre, Toronto, Canada. The audio CD album consists of three discs.
Originally planned for inclusion on Rush's debut album, but scrapped in the end. The song has not been released in any format since the initial 1973 Moon Records release. Allegedly only 500 copies of the single were pressed. [7] [8] [10] "Finding My Way" Rush: 1974 Drummer: John Rutsey "Need Some Love" Rush: 1974 Drummer: John Rutsey "Take a ...
The album did return the band to a more aggressive rock sound. Retroactively, it is seen as a typical Rush album, with strong composition and performance, but with somewhat formulaic, conservative song writing. On Spotify, Animate and Nobody's Hero each stand out as having two to three times as many plays as the next-most-played tracks ...
Lyrics for the new song, as transcribed by fans — with a rare instance of a Swift bridge being longer than any of the track’s verses or choruses: VERSE 1 You say “I don’t understand” and ...
The lyrics of the song are about individuality and the pressures of conforming. [3] The song is heavily influenced by reggae (in the guitar riff) as well as progressive electronica (in its use of sequencers) and the music of the Police. [4] These influences continued in subsequent albums: Signals, Grace Under Pressure, and Power Windows.