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A pair of double-tassel tie-backs. A curtain tie-back is a decorative window treatment which accompanies a cloth curtain.Within the field of interior decoration, tie-backs made of fabric are classified as a kind of "soft furnishing" (along with other fabric-based décor such as pillows, valances, towels, blankets, mattresses, bed skirts, bedspreads, jabots, and shower and window curtains ...
The safety curtain or fire curtain is used to separate the stage from the audience in case of a fire onstage. It may be made of heavy fireproofed fabric or solid steel sheet. Some were made of asbestos cloth. After several deadly theater fires in the early 1900s, safety systems were developed to isolate the stage, direct smoke away from the ...
A front curtain, also known as a (front-of-)house curtain, act curtain, grand drape, main curtain or drape, proscenium curtain, or main rag [1] [2] [3] is the stage curtain or curtains at the very front of a theatrical stage, separating it from the house.
A traveler curtain, also called draw curtain, bi-parting curtain, or just traveler, is the most common type of front curtain used in theaters. Traveler curtains remain at a fixed elevation and open and close horizontally, break up and meet in the middle, and consequently require a minimum of fly space .
A number of circular holes are cut into near the top of the curtain and edged with a metal ring (eyelet). The pole is then threaded through these holes, with approx. 4cm of fabric showing above the pole. Pencil Pleat Curtains are formed by pulling cords attached to "rufflette tape" to gather the fabric into pleats that look like a row of ...
Mies first began prototyping the curtain wall in his high-rise residential building designs along Chicago's lakeshore, achieving the look of a curtain wall at 860-880 Lake Shore Drive Apartments. He finally perfected the curtain wall at 900–910 Lake Shore Drive, where the curtain is an autonomous aluminum and glass skin.
Each full-length work was normally accompanied by one or two short companion pieces. If the piece began the performance, it was called a curtain raiser. One that followed the full-length piece was called an afterpiece. W. J. MacQueen-Pope commented, concerning the curtain raisers: This was a one-act play, seen only by the early comers.
In a Tropical Forest Combat of a Tiger and a Buffalo (1908–1909), by Henri Rousseau. In the arts of the Western World, Primitivism is a mode of aesthetic idealization that means to recreate the experience of the primitive time, place, and person, either by emulation or by re-creation.