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Grand Neoclassical interior by Robert Adam, Syon House, London Details for Derby House in Grosvenor Square, an example of the Adam brothers' decorative designs. The Adam style (also called Adamesque or the Style of the Brothers Adam) is an 18th-century neoclassical style of interior design and architecture, as practised by Scottish architect William Adam and his sons, of whom Robert (1728 ...
They perfected a style of fireplace design that was used for generations. It was smaller, more brightly lit, with an emphasis on the quality of the materials used in their construction, instead of their size. By the 1800s, most new fireplaces were made up of two parts, the surround and the insert.
These English Painted Display Cabinets from the 1800s used painted oak and were designed in the William IV Style. The cabinets are 77.5 inches tall, have a width of 49.5 inches, and a depth of 15 ...
American iron firedogs, 1770–1800. Hessians at 3rd from left. Andirons and fire dogs are devices made of metal and (rarely) ceramic which support the firewood. They normally stand upon short legs and are usually connected with an upright guard. The guard keeps the logs in the fireplace as they burn and settle.
By the close of the Jacobean era, the style held its own with slight variation and innovation, for some reigns. The execution of the carving was coarse and careless during the time of the first Stuarts, but afterward rose to be classed with the finest known; inlaid work, also, was more freely used and attained much excellence. There was ...
Fireplace and overmantel at Boston Manor House. Up to the twelfth century, fires were simply made in the middle of a home by a hypocaust, or with braziers, or by fires on the hearth with smoke vented out through the lantern in the roof. [1] As time went on, the placement of fireplaces moved to the wall, incorporating chimneys to vent the smoke ...
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