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This began production in 1802, and was to remain one of the family's main sites, and a pottery until recent decades. In 1808 he gave John and William, then in their early twenties, shares in the business (which became "Ridgway & Sons"), and also began to make bone china. Job died in 1814, when "John and William Ridgway" or "J and W Ridgway ...
Bone china is a type of vitreous, translucent pottery, [1] the raw materials for which include bone ash, feldspathic material and kaolin. It has been defined as "ware with a translucent body" containing a minimum of 30% of phosphate derived from calcined animal bone or calcium phosphate. [ 2 ]
In 1911 the economic situation had started to improve and Walter Slater was given more artistic freedom. He started to develop ornamental pottery and earthenware, as well as supervising the development of fine bone china. By 1914 Shelley had started to make a name for itself by producing dinnerware in china as opposed to high quality earthenware.
In 1970 John Aynsley and Sons was taken over by Waterford and renamed Aynsley China Ltd. In 1987 Waterford sold the company in order to focus the group's fine china sales on the worldwide Wedgwood brand. [5] In May 1997, Aynsley China was acquired by The Belleek Pottery Group in Ireland.
Hundreds of companies produced all kinds of pottery, from tablewares and decorative pieces to industrial items. The main pottery types of earthenware, stoneware and porcelain were all made in large quantities, and the Staffordshire industry was a major innovator in developing new varieties of ceramic bodies such as bone china and jasperware, as well as pioneering transfer printing and other ...
An exact date of the inclusion of the first marks is unclear. The original mark was used until 1912, which stated the initials of the company, with Ltd being added after 1891. In 1912, it changed to a printed china mark , when the name Phoenix china was first used.
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A chipped beaker with this mark fetched £37,000 at auction in 2015. [13] Although the first three examples shown here are from the underside of the bases of pieces, where most porcelain factory marks are placed, the very small Chelsea anchor marks are often "tucked away in the most unexpected places". [14]